2012 Exhibitions
in the main gallery…
Todd Stewart
In One Here and Out the Other
Exhibition Dates
March24 – April 23
Opening Reception
March24th at 7:00 pm
Artist Statement
Originally from Saskatchewan and residing in Montreal for nearly twenty years, I am an illustrator and a self-taught screenprinter. Since 2004 I have run Bree,ree, a small scale print studio. Photography, illustration, collage, stencil and letterpress have all found their way into my screenprinted works. My prints and posters have been seen on city streets and galleries in Canada, the United States and France.
My creative practice is improvisational and process-based, whereby I print identical images – illustrations and organic forms – many times within a given piece. This process allows me to work with these images meditatively and automatically; a composition emerges as layers are added to one another, revealing the dynamics between transparency and light. My pieces are built by exposing the control and precision of illustration to the unpredictability and chance inherent to the printmaking process.
Trained in the fields of landscape architecture and urban planning, I am acutely aware of how construction – with regards to both structure and meaning – informs my work. These abstract land and cityscapes embody both serenity and instability, resulting in a dreamlike tension from which subjective narratives can be born. Working from a base of imagery culled internally – from memory, dreams, past experience – and externally – from my immediate surroundings – I create pieces that consciously allow for open interpretation and multiple perspectives. They reflect a search for meaning in unfamiliar landscapes.
in the community gallery…
Ron Wigglesworth
Between Two Worlds
Exhibition Dates
March 24 to April 23
Artist Statement
This body of work is a visual narrative of exploration and discovery between and within the two worlds of science and art. Each print has its genesis in the anatomy of specimens preserved in the University of Alberta biology collections.
I began with observational drawings primarily of insects, fish and mammals. Initially they were analytic and focused on repeating shapes, forms, texture and line. I began to take note of similarities between seemingly- unrelated specimens. With each new work, my scientific understanding of anatomy increased, yet at the same time each one underscored how little biology I really knew.
Drawing became a meditative experience. The images describe a ‘lived’ scientific experience, as well as the imagined and unimagined world, which revealed itself in surprising ways. The print images recombine, restructure and augment layered imagery incorporating text and photography. They connect the drawings to the specimens and the specimens to each other in entirely new ways. They invite the viewer to ponder the art and the science in a beetle, or a fish, or a bone. Science is art, and art is science.
The human hand is quintessentially human – both a human characteristic and a symbol of what we might attain, yet it has commonality with the fin of a fish and the wing of a fly. The images are visual cues to the connections between humans and other creatures. We are not separate – in studying these collections, we study ourselves.
What lies beyond the black boundary of the lens? What new connection is there, just waiting to be uncovered? It seems restricted, but the black is unbounded, unknown, unconsidered and teases out curiosity and epiphanies. What may we learn about ourselves by looking beyond our focus into the darkness? It is an invitation to linger over both the art and the science, seeking some understanding of the beauty and complexity of this interconnected world in which we live.
“On this bridge, we are in no hurry to cross over; in fact, such bridges lure us to linger.” Ted Aoki